The level of the space and light - — One of the national museum of lighting design look and feel

Interior space is the important content of construction experience, its functional meaning and aesthetic significance is through the spatial relations, environment, adornment form as the object of experience, and lighting design is the foundation of all experience, also is the important component of the various elements.

the so-called experience is based largely on the functional sex of the lighting, no light opaque, talk about how knowledge space, ferreting azimuth, ornamental decoration, but are more likely to be ignored is that light is in itself a spatial relationships, defining the spatial properties, forming decorative meaning, the key to meet the psychological need. Based lighting as the bottom of the light, on the basis of reasonable away light step, reasonable decorate rhythm, reasonable priority is an important part of the lighting design and creation.

from the perspective of the visual perception of the general, part of the indoor light environment mainly lies in the following aspects: background based lighting, indoor furniture surface formed by plane, as a prominent object exhibits artifacts, the ground of the walking space. These a few respects for the position in light environment is different, different role, and need different lighting arrangement and targeted choose the way of cast light, so as to realize good behavior and psychological environment.

the bo exhibition space launch is bigger, clearance is higher. Relatively 'black box' ZhanChen means has a lighter overall environment, arrange pulled open space for the lighting of the gradient. Countries rich display in the hall of metope illumination Settings ranging from about 10 to 20 lux lux, wandering during which there will be a weak periodic feeling, but it is this subtle change reflects the important rules of the design of exhibition space design: exhibits the best present.

exhibits is the leading role, perfect and highlight the core values of lighting design is presented. Its design principle is to master the accurate comparison relations, both background become the end paper prospects. Prospects become exhibits, the exhibits perfect expresses the essence of culture. So all the arrangement of the intensity of illumination depends on the mastery of the brightness of the ultimate relationship.

the relevant data shows: objects in the environment should not only stand out, but also good and its surrounding environment to form an organic whole, needs to be accurate in the process of the lighting intensity of illumination distribution, in ambient lighting, accent lighting, accent lighting in creating reasonable gradient.

in general, when the environment brightness contrast with foreground objects is 1:2, as it is difficult to attract attention; When the contrast reaches 1:5, primary and secondary relations appeared; Reach 1:10, contrast is very obvious; Compare the reach 1:100, is according to the object from the environment, to sever the relationship between the subject and background.

countries rich in lighting design, cultural relics as the core, combined with the protective lighting requirements, combining with the characteristics of exhibits properties, according to the detail characteristics of the exhibits present demands, the brightness of the display and its surrounding has been formed in the rigid requirements. In order to make the exhibits at the center of attention, to the brightness of the background for the design of ingenious arrangement. Neither too bright, rob outlook, nor too dark, make exhibits divided from the environment. Especially the bo decoration is divided according to era, rather than the exhibits properties, may be porcelain, bronzes and painting and calligraphy silk, silk not too far apart exhibits on the microscopic environment brightness difference is obvious. This needs to corresponding with the brightness of the background wall, should not only take good care of the relationship with the prospect, should also consider the whole wall glazing distribution uniformity with the pace of the change. This is a delicate fine-tuning process, is also a variety of factors in the process of mutual compromise, especially under the limitation of site condition, work very hard.

to emphasize lighting as the main body, attention, and through a soft glow present a adornment effect. Both are responsible for ontology, but also to consider surrounding relationship coordination.

edit: Sophy